✎✎✎ The Quiet Man Film Analysis

Thursday, July 01, 2021 3:28:42 PM

The Quiet Man Film Analysis

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The Quiet Man Fight

There is no sidestepping just how bad Julie'n Davenport has been filling in for Braden Smith at right tackle. Chris Reed, however, had a pretty solid game filling in for Quenton Nelson at left guard in this game. Reed is a savvy veteran that was more than ready to fill-in when called upon. He was a big positive in the run game, and he more than held his own in pass protection. He did get beat on a few stunts and twists, but that is bound to happen with a lack of chemistry and familiarity with his teammates. Reed played just as well as I expected him to on Sunday. He was reliable in all facets, and his presence alone makes the absence of Nelson much more manageable for the Colts.

What happens next for the Colts? Don't miss out on any news and analysis! Take a second and sign up for our free newsletter and get breaking Colts news delivered to your inbox daily! Special teams star Isaiah Rodgers was thrust into the starting lineup for the first time in his career, due to injuries to Rock Ya-Sin and T. J Carrie on Sunday. In his first start, I thought he played fairly well overall. I loved his willingness to come up and tackle on underneath throws. He had that one gaff early in the game, but besides that he was more than solid in the open field. This was particularly impressive for a pound cornerback. Where he needs to improve going forward is how he attacks the ball in the air. He gave up a deep reception late in the game and nearly allowed a back-shoulder touchdown that was dropped by the receiver.

The next step for him is becoming a wide receiver when the ball is in the air. Don't react to the receiver, take the ball and make a play. I believe he will learn this as he gains experience. Overall, I am still optimistic about his future. Kemoko Turay had his way with rookie right tackle Liam Eichenberg in this one. Hero Stole My Bike : In order to get to the Vulture's hideout in time, Spider-Man commandeers Flash's car actually his father's car while he's driving his date to the Homecoming party.

We can only imagine how much grief Flash later gets from his dad after Peter flips the car on its right side so it slides along the ground for feet before stopping. Hero with Bad Publicity : Generally Inverted. In this story, the news media is not out to get Spider-Man though we don't see anything Daily Bugle-related and often praises his heroism. He also gets shout-outs from civilians that see him swinging by. But he does have to evade the cops during his time in Washington DC, as climbing national monuments without permission is technically a federal crime, and being an unregistered superhero is an international crime.

In addition, Spidey's unique flavor of poor luck still holds as we see a snippet of the news report about him stopping the ATM robbery and the best file photo they have is a shot of him emerging from a porta-potty with toilet paper stuck to his boot. High-Altitude Battle : The Vulture's big thing is being able to fly, so naturally some fights with the hero happen in the sky. The first half of the Final Battle is Spider-Man vs. High-School Dance : The homecoming dance is an important part of the film's plot. Hollywood Hacking : Peter and Ned are able to access and bypass whatever encryption and security protocols Stark put on the Spider-Man suit as well as deactivate the "training wheels" protocol.

Peter is able to open the DODC warehouse door by brute-forcing the entry of the access code with his graphing calculator and the help of his suit's A. Hollywood Law : The inciting incident where the Federal Government takes over the salvage operations from a local contractor would not typically result in the ruination of the local contractor. Early termination is a standard part of contracts that specifies who owes whom what in the event one party or another wishes to terminate the contract. In this case the Feds would force the City to terminate their salvage operations, activating the early termination clauses with the contractors. This is typically a large payout that covers the cost of purchasing or leasing equipment and hiring employees two items that Adrian Toomes explicitly mentions.

Operating without protection from early termination is incredibly risky and unlikely to be undertaken by any sort of established businessman. In fact, Damage Control voiding Adrian Toomes' legal city contract without compensating him is highly illegal. In any situation like this, the government has a duty to compensate businesses for what is essentially seizure of eminent domain , and given the stakes involved, a salvage company operating on a city contract in New York City the most contested real-estate market in the world , Toomes had more than enough to sue for a big fat check from the government.

Hourglass Plot : During the film, Peter wants to prove himself to Tony Stark and become an Avenger, while Tony wants Peter out of harm's way and to stick to the streets. By the end Tony has decided that Peter has proven himself and wants to make him an official member of the team. However, Peter decides that he'd rather stay a street-level hero and fight for the little guy and turns the offer down. How Do I Shot Web? He eventually takes Karen up on her offer of running a refresher course. While Peter is struggling to get a grip on his suit's newly unlocked web settings at the abandoned gas station, the Vulture's goons in the truck are having a similar struggle with their weapons' settings.

Hypocritical Humor : When Peter finds out his suit has many of its abilities locked down under the "Training Wheels Protocol", Peter wishes that Tony would stop treating him like a kid. Or rather, whining about it while jumping on his bed. Even Ned points out that Peter is still a kid. When Happy calls Peter to check in on him after he notices that Peter is leaving New York, Peter complains about Happy putting surveillance on him and violating his privacy, while Ned points out that Peter is doing the very same thing by tracking Adrian's goons to their destination.

Liz and her friends are playing "Fuck, Marry, Kill" focusing on the Avengers. When one of them brings up Spider-Man, another uncomfortably retorts that he might be in his thirties already. Thor is basically a god who has lived for around thousands of years note Further, his actor is 34 years old during the release of this film , while both Iron Man and Hulk are clearly over forty. In The Stinger , Captain America is extolling the virtues of patience In the PSA playing in the detention class, Captain America solemnly informs the students in detention that the only way to be truly cool is to follow the rules.

This, from a man who consistently kept breaking the rules he felt were unjust or shouldn't constrain him , to the point where he ended up exiled from America as a "war criminal". Mixed messages, much? He's not as creative with his reconnaissance drone, however, simply dubbing it "Droney". I Did What I Had to Do : When Peter confronts Toomes after they figure out each others' identities , Toomes tries to talk Peter down by telling him that he just does what he does to provide for his family and they depend on him bringing in income to survive.

Peter retorts that it doesn't matter. Selling illegal weapons to criminals is still wrong. If I Wanted You Dead When Mac Gargan confronts Toomes in the first stinger, Toomes uses the trope as a way to deny knowing who Spider-Man really is. This can be seen as Peter and Ned hack into the Spider-suit and discover there are numerous other subsystems and abilities, but they're locked under the "Training Wheels Protocol". I'm Okay!

He's quickly back to his feet while calling out "I'm okay! I'm okay! Implausible Deniability : Upon Ned's discovery of his secret, Peter denies being Spider-Man, despite Ned having witnessed him crawling on the ceiling, wearing the costume but maskless. Ned: You're the Spider-Man! From YouTube! Peter: [taking the costume off] No, I'm not, I'm not! This is, this is Ned: You were on the ceiling! Tropes K to O. Kid Hero : Peter Parker himself is one, only being fifteen, and Tony Stark is conscious of this and wants to keep him out of trouble.

Peter doesn't listen. Also pretty severely deconstructed: Peter has little experience and no real resources, so he seems to mostly deal with extremely minor crimes like stolen bikes which he can't return. When he actually stumbles onto a real case he steps on the toes of the actual authorities. However, he has yet to have a licence and hasn't really had any practice aside from a driving around parking lot. Predictably his driving is awful and the car comes out worse for wear by the time he arrives at his destination. Last Chance to Quit : After figuring out Peter is actually Spider-Man, the Vulture offers Peter a chance to back off, and threatens Peter's loved ones as well as Peter himself if he doesn't.

Toward the end, when Tony asks Happy Hogan if he still has that engagement ring so he can propose to Pepper, Happy quips, "I've been hanging onto it since ! It ends with him concluding that sometimes being patient has drawbacks, as what you waited for can end up being meaningless or unsatisfying. It's a very meta joke aimed at the people who just sat through the credits hoping for an Avengers: Infinity War tease, only to get a cheesy PSA instead. In the second stinger, Captain America asking someone offscreen, "How many more of these? Peter's notes for upgrading his web fluid marks it as "Version 3.

Appropriate as this is the third film incarnation of Spider-Man and the first solo movie of this reboot. It also marks the third interpretation on the source of Spider-Man's webbing. Raimi's version had organic web shooters; Webb's version used re-purposed Oscorp tech; and Watt's version returns to the original explanation that Peter invented it himself. Legacy Character : After disintegrating Brice , Toomes picks up his gauntlet from the pile of ashes and tosses it to Schultz, telling here "Here, you're the Shocker now.

Lighter and Softer : Given that it is inspired by the teenage comedy films of John Hughes, Homecoming has the lightest tone of all the Spider-Man films. Like Cannot Cut Like : Inverted. On the site of the Incident, the aliens' crashed technology is so resilient that Toomes' crew's tools can't cut through it. Toomes then demonstrates that the Chitauri metal can be used to cut through it. Loads and Loads of Characters : The film has a large ensemble cast, setting it apart from the other film adaptations. It should be noted that much of this cast is specifically tied to the high-school setting.

Logo Joke : While the Sony and Columbia logos are treated straight, the Marvel Studios logo replaces the standard music accompaniment with a symphonic arrangement of the classic Spider-Man cartoon theme "Spider-Man, Spider-Man, Does whatever a spider can This is right after she denied she cares about where he's going. Although considering how carelessly he was holding his phone, it's also possible she saw he'd just received a message from Happy telling Peter to meet him in the toilet. Loose Lips : Discussed and played for comedy with Ned, who notes that he might not be able to keep Peter's secret because he's so excited that his friend is Spider-Man.

Played seriously when Toomes is driving Liz and Peter to the homecoming dance, and Liz obliviously lets slip information that helps Toomes piece together Peter's identity. In the comics, Vulture was a generic enemy with no personal connection to Peter or anyone. The change in the film where he turns out to be the father of Peter's crush continues the Sony tradition of making every Spider-Man rogue have personal connections to him out-of-costume including Dr. Octopus, Dr. Connors, Sandman, Venom, Electro when in the original comics, it was only Green Goblin who had that at first.

All of them eventually find out Peter's identity, when again in the comics for most of the run, it was only the Green Goblin who knew that. Lost in Translation : "Homecoming" is a Double-Meaning Title , which can mean both the return of the prodigal son and a high school tradition in the US which takes place in the film. The title in Latin America is "Spider-Man: de regreso a casa", which translates the former but not the latter. Loves My Alter Ego : Downplayed; Liz mentions having a crush on Spider-Man in an early scene but it doesn't get in the way of her returning Peter's affection later in the movie. Made of Indestructium : Downplayed. Peter's phone falls hundreds of feet into water, and is apparently perfectly fine.

At the end of the film, it's in a car in a collapsing building, and survives with nothing more than a severely cracked screen. Michelle notices this and promptly calls them "losers". Happens again during the hotel swimming scene when Liz walks off, as the camera is focused firmly on her behind in a one-piece swimsuit as she walks away. Marquee Alter Ego : Peter has his mask taken off a few times, and Shocker doesn't wear one at all. Inverted with the Vulture, who is usually mask-less in the comics but wears a full helmet here. Though both he and Peter take off their masks for the final Coney Island fight.

Mathematician's Answer : After an attempt to dramatically swing into action against the Vulture's henchmen fails his web shooters had been configured to "combat mode", where they fire sticky bursts instead of swingable strands , he asks his suit A. She helpfully explains that "You jumped off of the sign and landed on your face. Tony Stark can at best be judged guilty of indifference or negligence, but even then Tony had a right to assume that the US Government would do its job and be fair to its citizens, and he merely worked alongside Damage Control rather than decide its policies.

Mission Control : Ned talks about the trope as "the guy in the chair" and dreams of becoming Peter's. That wish is granted to him in the climax as he provides directions for Peter's car chase and provides information on the functions of the car Peter "borrowed". Mason is this for Toomes and his crew during their heists. Monumental Damage : The Washington Monument is cracked and slightly damaged, and its elevator gets wrecked. In the climax, the plane carrying Stark tech goods ends up destroying the famous "Parachute Jump" tower at Coney Island as it crashes. Mood Whiplash : The first trailer is pretty lighthearted In the movie proper, we get an extended, humorous montage of Peter getting made ready for the homecoming ball before being dropped off at Liz' house.

He rings the doorbell, most likely expecting to be greeted by his date, but instead he's suddenly face to face with her dad - the Vulture. More Dakka : Vulture's equipped his flight suit with a variety of guns and laser weapons. Movie Superheroes Wear Black : Zig-zagged. Yet it's similar to Peter's where it has black mixed with much brighter colors so it can be comic-accurate yet different. It has a lot of green, but also includes a dark bomber jacket, black accents, and a black helmet. The Shocker has a realistic jacket that resembles his standard comics costume. So does his replacement. Peter's homemade costume and the Stark suit are aversions, being bright red and blue.

The second Stark suit, however, replaces the blue with black. Mundane Utility : Toomes and his crew have at their disposal an alien phase-shifting device that essentially allows them to create temporary holes in walls. This comes in handy when pulling heists involving locked containers. It also helps the Tinkerer grab a beer from the side of the fridge. Spider-Man uses his webbing to capture bad guys or swing above the streets of New York, but also for simpler things like closing a door or making himself a hammock. For that matter, Peter uses his Super Strength to hide his equipment in the one place you probably wouldn't think to look — underneath an entire row of lockers, which he himself can easily pick up. He also uses his superhuman agility to hop over a fence and take a shortcut on his way back from school.

Karen, she starts aiding when it comes to dating advice, to the point that she outright starts calling for Peter to kiss Liz when she senses now is an optimal romantic moment. Off to a great start. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The camera cuts to a few different young men typing on their phones, their bodies partially concealed both by people walking between them and the camera and by the stylized modern furniture that surrounds them.

The fourth shot peeks over a computer monitor at a blonde man working with headphones in. A slight zoom toward his face suggests that this is an important character, and the cut to a point-of-view shot looking at his computer screen confirms this. We later learn that this is Caleb Smith Domhnall Gleeson , a young programmer whose perspective the film follows. Shocked, Caleb dives for his cellphone and texts several people the news. Several people immediately respond with congratulatory messages, and after a moment the woman from the opening shot runs in to give him a hug. At this point, the other people in the room look up, smile, and start clapping, while Caleb smiles disbelievingly—perhaps even anxiously—and the camera subtly zooms in a bit closer.

Throughout the entire sequence, there is no sound other than ambient electronic music that gets slightly louder and more textured as the sequence progresses. A jump cut to an aerial view of a glacial landscape ends the sequence and indicates that Caleb is very quickly transported into a very unfamiliar setting, implying that he will have difficulty adjusting to this sudden change in circumstances. They give readers the information they will need to understand the argument the piece is about to offer. While passages like this can risk becoming boring if they dwell on unimportant details, the author wisely limits herself to two paragraphs and maintains a driving pace through her prose style choices like an almost exclusive reliance on active verbs.

The choice to make the dialogue inaudible suggests that in-person conversations have no significance. Human-to-human conversations are most productive in this sequence when they are mediated by technology.

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